Novice (angleščina) - New York Times

He Wrote for ‘Seinfeld.’ But He Sees Genius in ‘Nancy.’
08. October 2026 (11:02)
 (New York Times)
‘Winter of the Crow’ Review: Life in Communist Warsaw
08. October 2026 (11:01)
Lesley Manville plays a professor in 1981 who gets swept up in the declaration of martial law in Poland in this slow-burning film. (New York Times)
‘The Social Reckoning’ Review: Sounding the Alarm
08. October 2026 (11:01)
Aaron Sorkin’s latest movie is about how social-media platforms like Facebook have rewired our brains and the larger world. (New York Times)
‘My Undesirable Friends: Part II — Exile’ Review: What Is Truth?
08. October 2026 (11:01)
The second half of Julia Loktev’s epic chronicle of independent journalists in Russia is essential viewing. (New York Times)
In ‘Tom at the Farm,’ Mud (Lots of It) Makes the Play
08. October 2026 (11:01)
 (New York Times)
‘Misty Green’ Review: An Actor and the Pleas That Drive L.A.
08. October 2026 (11:01)
The actor Rosalind Eleazar and the writer-director Chris Rock give us a portrait of struggle in a city of air kisses and transactional fondness. (New York Times)
‘The Beast’ Review: Samuel L. Jackson in the Driver’s Seat
08. October 2026 (11:01)
Jackson plays a president under siege from a well-armed militia in this action film where his heavily armored car is hiding a few tricks. (New York Times)
‘Matchbox: The Movie’ Review: We Like the Cars That Go Boom
08. October 2026 (11:01)
John Cena is in the driver’s seat of this stilted movie adaptation of the Mattel-brand toy cars. (New York Times)
No Longer ‘Underrated,’ Tinashe Steps Into Her Pop Moment
08. October 2026 (11:01)
The singer is getting the best reviews of her career with her new album “Popstar,” and making music that seems to reflect who she is with even greater clarity. (New York Times)
The Fresh Charms of Art From the 15th Century
08. October 2026 (11:00)
At the Met, an exhibition of 16 pieces transports viewers to a place and time when the virtues of artworks were refreshingly different from ours today. (New York Times)