Novice (angleščina) - New York Times

‘Resident Evil’ Review: Return to Raccoon City
17. September 2026 (11:03)
This reboot of the video game franchise from the director Zach Cregger (“Weapons”) is arguably the most raucously entertaining thrill ride of the year. (New York Times)
‘The Musical’ Review: That’s Entertainment
17. September 2026 (11:03)
A misanthropic middle school teacher stages a provocative student musical in this sardonic comedy. (New York Times)
‘Knife: The Attempted Murder of Salman Rushdie’ Review: Sharpened Insights
17. September 2026 (11:02)
A documentary, adapted from the author’s memoir about being attacked, adds a visual dimension to the story of his recovery. (New York Times)
‘If I Go Will They Miss Me’ Review: Wings of a Son’s Desire
17. September 2026 (11:02)
In this loving poem of a family drama, the writer-director Walter Thompson-Hernández and his ensemble get the details of a hopeful and thwarted childhood just right. (New York Times)
Brad Johns, Celebrity Colorist Known for His ‘Buttery Chunks,’ Dies at 70
17. September 2026 (11:02)
He made blonde highlights a fashion sensation. But when he shared details about his relationship with Carolyn Bessette Kennedy, he ran into trouble. (New York Times)
‘Daniel and the Fiery Furnace’ Review: Lions, Treaties and Fire
17. September 2026 (11:02)
The filmmakers Daniel and Matthew Kooman use Old Testament lore as kindling for a tale that often veers into cliché. (New York Times)
‘Shaun the Sheep: The Beast of Mossy Bottom’ Review
17. September 2026 (11:02)
Everybody’s favorite woolly, wordless sheep returns in this charming, stop-motion spoof of Halloween movies, which will delight kids and adults alike. (New York Times)
On ‘Cupertino,’ Robert and Michelle King Go Online
17. September 2026 (11:02)
The prolific producers target tech bigwigs in their newest show. “They’re really the stupidest and dumbest people,” Robert King said. (New York Times)
‘Wicker’ Filmmakers on Alexander Skarsgard’s Costume
17. September 2026 (11:02)
For “Wicker,” the tale of a 17th-century husband conjured up by a basket maker, the challenge of designing the unlikely lover required months of testing. (New York Times)
How William Greaves’s Old Footage Led to a Documentary on Harlem Years After His Death
17. September 2026 (11:02)
After the maverick director William Greaves convened the movement’s remaining members, it took 50 years and his family to bring the fireworks to the screen. (New York Times)