‘Westhampton’ Review: A Humiliating Return 09. July 2026 (11:01) They say that you can’t go home again; in this movie, a young filmmaker learns that the hard way.(New York Times)
‘Night Nurse’ Review: An After-Hours, Erotic Con 09. July 2026 (11:01) In this thriller, a phone scam is being run out of an elder care facility. Eleni, a skittish but observant nurse, quickly becomes enmeshed with two others in the grift.(New York Times)
‘Reading Lolita in Tehran’ Review: Seeing the Words Clearly 09. July 2026 (11:01) A film adaptation of Azar Nafisi’s celebrated memoir of teaching literature in a repressive Iran suggests that the story might be more suited to the page.(New York Times)
‘Moana’ Review: It Doesn’t Go Far 09. July 2026 (11:01) This live-action remake of the 2016 animated film has nothing to add to the original, and winds up subtracting instead.(New York Times)
‘Do You Love Me’ Review: Images of a Beirut Beyond War 09. July 2026 (11:00) The director Lana Daher creates a complex emotional portrait of Lebanon with found footage assembled into a 75-minute film of memory, trauma and life.(New York Times)
‘Evil Dead Burn’ Review: Stop, Drop and Kill 09. July 2026 (11:00) A dark spirit boils and sears its way through an unhappy family in the latest “Evil Dead” installment.(New York Times)
‘Barrio Triste’ Review: Bad Boys With a Movie Camera 09. July 2026 (11:00) This experimental and earnest film from the Colombian American photographer Stillz follows a group of wayward boys in 1980s Medellín.(New York Times)
