Novice (angleščina) - New York Times

The Overlooked Element to the ‘KPop Demon Hunters’ Phenomenon
28. August 2025 (11:03)
Beyond its catchy songs and memorable characters, the Netflix movie does an admirable job of capturing what it’s like to be an adoring fan. (New York Times)
Looted by Nazis, a 17th-Century Painting Resurfaces. But Not for Long.
28. August 2025 (11:02)
The artwork had been missing for 80 years before Dutch journalists spotted it in a real estate listing in Argentina. (New York Times)
Their Beach Home in the Hamptons Is a Driveway
28. August 2025 (11:02)
 (New York Times)
Bossy Dating Apps Like Cerca and Breeze Aim to End ‘Dating-App Fatigue’
28. August 2025 (11:02)
A slate of new dating apps are founded on the idea that what daters really want is to hand over control. (New York Times)
‘Stranger Eyes’ Review: Watching the Watchers
28. August 2025 (11:01)
When a young girl disappears, her parents’ obsessive search may have a dark side in a thriller that poses questions about surveillance. (New York Times)
‘The Toxic Avenger’ Review: More Ooze and Aahs
28. August 2025 (11:01)
A revival of the 1984 cult movie of the same name, this spoof about a radioactive superhero is a more confidently silly update. (New York Times)
‘Motel Destino’ Review: A Lurid Brazilian Thriller
28. August 2025 (11:01)
As the director Karim Aïnouz reveals the secrets within the roadside establishment’s walls, a dangerous love triangle appears. (New York Times)
‘The Roses’ Review: To Honor, Cherish, Envy and Despise
28. August 2025 (11:01)
Benedict Cumberbatch and Olivia Colman star in a strangely bad remake of “The War of the Roses.” (New York Times)
‘A Little Prayer’ Review: A Family’s Dysfunction
28. August 2025 (11:01)
David Strathairn plays a Vietnam veteran who wants to shield his daughter-in-law from hard truths about her husband in this melodrama set in North Carolina. (New York Times)
‘Griffin in Summer’ Review: Growing Up Stage Left
28. August 2025 (11:01)
The writer-director Nicholas Colia infuses his feature debut with sensitivity and the sweet awkwardness of youth. (New York Times)