Novice - Kultura (angleščina)

‘Rats!’ Review: Keep Texas Weird
27. February 2025 (13:00)
This gross-out action-comedy, which sees an emo teenager sucked into a deranged conspiracy plot, lays hard on the absurdism. (New York Times)
Gene Hackman: 5 Memorable Performances to Stream
27. February 2025 (11:58)
He played a complicated hero in “The French Connection” and an arch-villain in “Superman.” Here are some of Hackman’s career highlights. (New York Times)
Oscars 2025 Predictions: Who Will Win Best Picture, Actor and Actress?
27. February 2025 (11:04)
The best picture race has been full of twists and turns. The best actress race is closely contested. Our expert predicts which films and artists will get trophies on Sunday. (New York Times)
A New New Museum, for Humans and Robots and Everyone in Between
27. February 2025 (11:03)
With a major expansion by OMA debuting this fall, the museum reopens with a landmark exhibition featuring 150 artists, and tackles timely questions about technological change. (New York Times)
Conan O’Brien on his Oscars Hosting Gig
27. February 2025 (11:03)
 (New York Times)
5 Classical Music Albums You Can Listen to Right Now
27. February 2025 (11:02)
Alice Sara Ott’s account of John Field Nocturnes, a tribute to Glenn Gould and a program of songs by Schubert and Kurtag are among the highlights. (New York Times)
Paul Mpagi Sepuya’s Photos Reverberate With Scenes of Their Own Making
27. February 2025 (11:01)
At Bortolami Gallery, a star of the 2019 Whitney Biennial takes down the fourth wall between art and exhibition. (New York Times)
Benmont Tench, Still a Heartbreaker, Is Carrying on Solo
27. February 2025 (11:01)
Starting in the early 1970s, the organist, singer and songwriter was a creative anchor for Tom Petty. On a new solo album, he explores what comes next. (New York Times)
Ione Skye Was an Enigma in Her 1990s Heyday. Now She’d Like a Word.
27. February 2025 (11:01)
 (New York Times)
‘My Dead Friend Zoe’ Review: On the Battlefield and at Home
27. February 2025 (11:01)
A young Army veteran struggles with her memories and guilt in this heartfelt independent drama. (New York Times)