Novice - Kultura (angleščina)

Paul Thek’s Art Legacy: A Shriek and a Giggle
09. July 2026 (11:02)
A pioneering painter, sculptor and installation artist, he achieved posthumous glory as a rule breaker, as two riveting exhibitions show. (New York Times)
‘The Man Will Burn’: On Filming the Sacred and Propane at Burning Man
09. July 2026 (11:02)
The directors of a new four-part docuseries talked about why the long-running desert festival is important — and like being on “another planet.” (New York Times)
In ‘Remake,’ a Life Documented on Film Prompts Painful Questions
09. July 2026 (11:01)
Ross McElwee (“Sherman’s March”) reconsiders footage of himself and his family, including a son who died of an overdose. (New York Times)
‘Westhampton’ Review: A Humiliating Return
09. July 2026 (11:01)
They say that you can’t go home again; in this movie, a young filmmaker learns that the hard way. (New York Times)
‘Night Nurse’ Review: An After-Hours, Erotic Con
09. July 2026 (11:01)
In this thriller, a phone scam is being run out of an elder care facility. Eleni, a skittish but observant nurse, quickly becomes enmeshed with two others in the grift. (New York Times)
‘Reading Lolita in Tehran’ Review: Seeing the Words Clearly
09. July 2026 (11:01)
A film adaptation of Azar Nafisi’s celebrated memoir of teaching literature in a repressive Iran suggests that the story might be more suited to the page. (New York Times)
‘Moana’ Review: It Doesn’t Go Far
09. July 2026 (11:01)
This live-action remake of the 2016 animated film has nothing to add to the original, and winds up subtracting instead. (New York Times)
‘Gail Daughtry and the Celebrity Sex Pass’ Review: Hamming It Up
09. July 2026 (11:00)
A small-town naïf heads to Los Angeles to bed her celebrity crush (Jon Hamm) in this bonkers sex comedy. (New York Times)
‘Do You Love Me’ Review: Images of a Beirut Beyond War
09. July 2026 (11:00)
The director Lana Daher creates a complex emotional portrait of Lebanon with found footage assembled into a 75-minute film of memory, trauma and life. (New York Times)