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Readers Choose the Best Thrillers and Mysteries of the Century
13. August 2026 (22:30)
The backbone of the list: nine novels by Tana French, and five novels each from John le Carré, Kate Atkinson and Mick Herron. (New York Times)

‘An American Daughter’ Review: Wendy Wasserstein’s Cautionary Tale
13. August 2026 (21:29)
(New York Times)

John Crowley, Whose Fantasy Novels Blurred Reality and Dream, Dies at 83
13. August 2026 (21:02)
The eminent critic Harold Bloom called his 1981 book ‘Little, Big’ a ‘neglected masterpiece’ and one of the best novels of the 20th century. (New York Times)

Kennedy Center Board Decides to Inscribe Trump’s Name on Building
13. August 2026 (19:56)
(New York Times)

Raoul Vaneigem, Whose Manifesto Inspired 1968 Revolt in France, Dies at 92
13. August 2026 (19:25)
“The Revolution of Everyday Life,” published in 1967, was his cri de coeur against mindless work, materialism and authority. (New York Times)

5 Classical Music Albums You Can Listen to Right Now
13. August 2026 (15:22)
Wild Up’s latest volume of music by Julius Eastman, Mitsuko Uchida’s Beethoven and works by Joe Hisaishi are among our selections. (New York Times)

‘Dead Souls’ Review: A Mean Satire About American Exploitation
13. August 2026 (11:03)
The “Repo Man” director Alex Cox returns with an unabashedly weird western, where he plays a mysterious stranger in an Arizona border town, circa 1890. (New York Times)

Rory Scovel’s New Netflix Special Reviewed: Winging It Never Sounded So Funny
13. August 2026 (11:03)
In “Show Must Go On,” the appearance of unpredictability combined with the possibility of catastrophe is riveting. (New York Times)

‘Union County’ Review: High Stakes, Understated Portrayals
13. August 2026 (11:02)
Will Poulter and Noah Centineo play troubled siblings in this simple, downbeat story set amid the opioid epidemic in rural Ohio. (New York Times)

‘Nimrods’ Review: American Idiots
13. August 2026 (11:02)
A band of misfit teens aspires to make their musical dreams come true in this Green Day-produced rock comedy. (New York Times)