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‘Miss You, Love You’ Review: A Son Outsources His Solace
28. May 2026 (11:01)
The mourning process feels theatrical in this dramedy starring Allison Janney as a new widow estranged from her son. (New York Times)

‘The Last Viking’ Review: Imagine Mads Mikkelsen
28. May 2026 (11:01)
Mikkelsen plays a man convinced he’s John Lennon in a darkly comic crime film from the Danish auteur Anders Thomas Jensen. (New York Times)

‘Forastera’ Review: An Exquisitely Deconstructed Ghost Story
28. May 2026 (11:01)
A teenager affects aspects of her late grandmother in this beguiling first feature set on the island of Mallorca. (New York Times)

‘The Currents’ Review: Lost and Found
28. May 2026 (11:01)
Milagros Mumenthaler’s superb, sensuously realized film follows an Argentine fashion stylist trying to overcome a deep sense of destabilization. (New York Times)

‘The Breadwinner’ Review:
28. May 2026 (11:01)
The comedian Nate Bargatze makes a big swing with this movie about a stay-at-home dad, and gets a big assist from three funny kids. (New York Times)

‘Backrooms’ Review: Lost in the Expansion
28. May 2026 (11:01)
Born from a single unsettling image, this viral horror concept from Kane Parsons wears thin under the weight of a full feature. (New York Times)

Firelei Báez Harvests Trickster Energy to Remap Stories of the World
28. May 2026 (11:00)
(New York Times)

The Real Story Behind “Pressure,” the Film About the D-Day Weather Forecast
28. May 2026 (11:00)
The new film “Pressure” tells the story of the fateful D-Day weather forecast. Here’s what it got right and wrong from the historical record. (New York Times)

Jimmy Kimmel Can Hardly Believe the Reality of L.A.’s Mayoral Race
28. May 2026 (08:33)
“Mayor should not be your first job,” the host said of the former reality show star and mayoral candidate Spencer Pratt, who is polling in second place. (New York Times)

David Henderson, Innovative Poet and Hendrix Biographer, Dies at 83
27. May 2026 (23:59)
Part of the Black Arts Movement of the 1960s, he went on to reclaim a leading musician of the psychedelic era as a distinctly African American artist. (New York Times)