Novice - Kultura (angleščina) Slowwwenia.com

A New Film Makes My Hearing Condition a Superpower. It’s Not.
21. May 2026 (11:02)
In “Tuner,” a former musician turned safecracker has painful hyperacusis. For him, it’s a hidden talent. Here’s what it’s really like. (New York Times)

At DanceAfrica, When the Rules Disappear, the Party Begins
21. May 2026 (11:01)
Brooklyn students are learning a traditional Ugandan dance for BAM’s festival this weekend. “You cannot shake your hips if you are stressed,” the Ugandan troupe leader told them. (New York Times)

‘Tuner’ Review: Harmonies, Heists and Hurt
21. May 2026 (11:01)
Leo Woodall shines in this somewhat odd but vibrant movie about a piano tuner with a rare and excruciating condition who begins to break bad. (New York Times)

‘Saccharine’ Review: How Far Would You Go to Lose Weight?
21. May 2026 (11:01)
In this supernatural horror movie, a miracle drug made of human ashes upends a medical student’s life. (New York Times)

‘The Mandalorian and Grogu’ Review: Baby Yoda Takes the Silver Screen
21. May 2026 (11:01)
This franchise offshoot follows a hero whose face is obscured for most of the movie. Is “Star Wars” fighting with one arm tied behind its back? (New York Times)

‘I Love Boosters’ Review: A Fashion-Forward Sense of Justice
21. May 2026 (11:01)
Keke Palmer plays a shoplifter who sells high-end clothing at a deep discount in Boots Riley’s polychromatic new film. (New York Times)

‘Manas’ Review: A Bleak Coming of Age
21. May 2026 (11:01)
A 13-year-old girl living on the Brazilian island of Marajó finds herself trapped in cycles of abuse in this upsetting film. (New York Times)

An Artist Ponders Pond Scum, Humans and the Meaning of Life
21. May 2026 (11:00)
(New York Times)

‘Everybody to Kenmure Street’ Review: When the Neighborhood Won
21. May 2026 (11:00)
A must-see documentary about a protest against a 2021 immigration raid in Glasgow shows the power of community. (New York Times)

How Stephen Colbert, and Late Night, Evolved
21. May 2026 (11:00)
James Poniewozik, our chief television critic, traces the way Stephen Colbert presided over a heyday of political comedy on late night. (New York Times)