Novice - Kultura (angleščina)

An Audacious $724 Million Building Reinvents LACMA
08. April 2026 (12:00)
Two decades in the making, the David Geffen Galleries will offer an unconventional approach to art history and cement the director Michael Govan’s legacy. (New York Times)
This Audacious Film Festival Should Be Better Known
08. April 2026 (11:01)
Year in and year out, New Directors/New Films showcases inspired work worth your attention. The latest edition is especially impressive. (New York Times)
Modern Love: My Husband’s Breakdown Was My Breakthrough
08. April 2026 (11:01)
Stefanie Gunning had to reach her lowest point to realize what she needed for herself. (New York Times)
‘Euphoria’ Creator Sam Levinson Talks Tragedy, the Internet and the End of the Show
08. April 2026 (11:01)
Ahead of the Season 3 premiere on Sunday, the show’s creator discussed his reputation, the loss of Angus Cloud and the soul-searching that followed. (New York Times)
Frankie Muniz Refuses to Stay in His Lane
08. April 2026 (11:00)
At 40, he is a father, a NASCAR driver and back as the star of a “Malcolm in the Middle” revival. “I have unfinished business,” he said. (New York Times)
5 Minutes That Will Make You Love Detroit Jazz
08. April 2026 (11:00)
The city’s music is spiritual, searching and defiantly local, even when it spreads worldwide. Hear tracks from Yusef Lateef, Geri Allen, James Carter and other Detroit jazz greats. (New York Times)
‘Faces of Death’ Set the Bar for Hardcore Horror. It’s Baaack.
08. April 2026 (11:00)
A remake of the cult horror movie raises questions about the approach to viewing disturbing videos in a new era. (New York Times)
Late Night Puzzles Over Trump’s ‘Mixed Message’ on Iran
08. April 2026 (08:24)
“Everyone, most notably the people of Iran, were wondering if their civilization was going to die tonight. Well, good news, it didn’t,” Jimmy Kimmel said after a cease-fire was announced. (New York Times)
Fanciful and Fabulous: ‘Cats: The Jellicle Ball’ on Broadway
08. April 2026 (03:00)
For their 10th life, the cats strut and duckwalk in a reappraisal of Andrew Lloyd Webber’s 1981 musical, which has shifted to the queer ballroom scene. (New York Times)