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5 Oscar-Nominated Children’s Movies to Stream Now
03. March 2026 (11:06)
This month’s picks include the animated feature films that are competing for an Academy Award on March 15. (New York Times)

The Artist Transforming His Studio Into a Cathedral of Color
03. March 2026 (11:06)
David Novros has spent years finessing and repainting site-specific artworks in his SoHo space. (New York Times)

The ‘Sinners’ Cinematographer: ‘We All Had a Lot on the Line’
03. March 2026 (11:03)
The Oscar nominee Autumn Durald Arkapaw’s ambitious collaboration with Ryan Coogler was also risky, starting with the very heavy large-format cameras. (New York Times)

Should I Get Into Vinyl Records?
03. March 2026 (11:00)
There are plenty of reasons to consider collecting and playing LPs of your favorite music. Saving money isn’t one of them. (New York Times)

Late Night Tunes In to Operation Epic Fury: Live from Mar-a-Lago
03. March 2026 (08:03)
The military operation’s name “is different from its original title, which was ‘Operation Epstein-o Distract-o,’” Jimmy Kimmel said. (New York Times)

‘Bigfoot!’ Review: An Ogre Who Just Wants to Be Friends
02. March 2026 (22:21)
(New York Times)

Two Approaches to Musical Time, From the Vienna Philharmonic
02. March 2026 (18:29)
The orchestra returned to Carnegie Hall for three concerts, led by Andris Nelsons, in which the playing was inconsistent but also moving. (New York Times)

Pokémon Pokopia Replaces Conflict With Creature Comforts
02. March 2026 (14:00)
You’ll rebuild a community in a spinoff that emulates cozy games like Stardew Valley and Animal Crossing: New Horizons. (New York Times)

‘Gentleman Jack’ Brings a Queer Romance to Ballet
02. March 2026 (11:01)
Annabelle Lopez Ochoa’s new ballet, based on the life of one of the first modern lesbians, is changing how dancers view their traditional roles. (New York Times)

‘Sinners’ and the Price of Artistic Freedom
02. March 2026 (11:01)
Onscreen and behind the scenes, the movie is about the pursuit of liberation, not just for its characters, but also for filmmaking itself. (New York Times)