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‘Riot Women’ Review: Women of a Certain Rage
15. January 2026 (11:03)
(New York Times)

Holly Hunter Reaches for the Stars
15. January 2026 (11:02)
(New York Times)

He Survived Dachau. He Captured Its Horrors on Paper the Next Day.
15. January 2026 (11:02)
When Brian Stonehouse, a British spy posing as an artist, was freed from the concentration camp, he made drawings to document what he had witnessed. (New York Times)

‘Queen Kelly’ Review: His Majesty, Von Stroheim
15. January 2026 (11:02)
The 1929 silent film returns in a shimmering, sensitively scored restoration that brings out the lurid and the romantic in Erich von Stroheim’s story of orphan-meets-prince. (New York Times)

As Megadeth Counts Down to Extinction, Dave Mustaine Opens Up
15. January 2026 (11:02)
(New York Times)

White Lies, Inner Truth: The Contradictions of Henri Rousseau
15. January 2026 (11:02)
His naïve style landed him outside the firmament, but his painterly innocence was more seductive — and intentional — than many critics appreciated. (New York Times)

‘A Useful Ghost’ Review: Machine Yearning
15. January 2026 (11:01)
A grieving widower finds his problems are just beginning when his wife returns in the form of a household appliance in this gloriously funny, shape-shifting debut feature. (New York Times)

‘Sound of Falling’ Review: A Fortress of Feminine Mysteries
15. January 2026 (11:00)
This detour-heavy film moves across time periods to follow girlhood mischief, desire and abuse on a German farm. (New York Times)

‘Shuffle’ Review: The Real Price of Rehab
15. January 2026 (11:00)
Benjamin Flaherty discovered some disturbing tendencies in the addiction recovery industry. His documentary is upsetting and revelatory. (New York Times)

‘A Private Life’ Review: Jodie Foster Uncovers a Twisty Plot in Paris
15. January 2026 (11:00)
Speaking in French (but cursing in English), the actress plays an American psychiatrist abroad who stumbles into unexpected intrigue. (New York Times)