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Kathryn Bigelow Returns to the Intersection of Facts and Thrills
22. October 2025 (11:03)
Her newest, “A House of Dynamite,” about a nuclear missile headed to the U.S., takes up themes of power and violence that have long interested her. (New York Times)

Halloween Movie Watch Party: Let’s All ‘Scream’
22. October 2025 (11:02)
Revisit Wes Craven’s 1996 classic this weekend and join us in the chat. (New York Times)

“Modern Love”: What is a Mistress Dispeller?
22. October 2025 (11:01)
A “Mistress Dispeller” is an expert at infidelity: part marriage counselor, part private eye. The filmmaker Elizabeth Lo followed one mistress dispeller for three years, and it had a surprising effect on her own love life. (New York Times)

For Devon Sawa, the ’90s Never Went Away
22. October 2025 (11:01)
Devon Sawa made millennial girls swoon in “Casper” and “Now and Then.” Thirty years later, he says he’s made peace with his heartthrob era. (New York Times)

‘Bull Durham’ Review: This Musical Version Is a Bunt
22. October 2025 (11:01)
Adapted for the stage, the baseball rom-com is now less sexy and sophisticated than the ’80s classic. (New York Times)

At Art Basel Paris, Experimentalists Are Celebrated
22. October 2025 (11:01)
Three presentations at this year’s fair will focus on experimental discovery, radical redefinition and an expansion of the mind. (New York Times)

In Paris, “Third Culture” Restaurateurs Combine Cultures and Flavors
22. October 2025 (11:01)
“Third culture kids” have taken recipes and unique tastes from their childhoods to create a new kind of fusion food that is more cohesive. (New York Times)

Art in a Champagne Cave Near Paris Asks Big Questions
22. October 2025 (11:01)
Julian Charrière made his name creating art inspired by — and interrogating — nature. Now, his new water and sound installation is open to underground adventurers in Reims. (New York Times)

Misako & Rosen Gallery Made it to Art Basel Paris by Refusing to Compete
22. October 2025 (11:00)
Misako & Rosen’s small space in the off-the-beaten-path Otsuka neighborhood proves ambition can stay local — and still make it to Art Basel Paris. (New York Times)