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‘The Marching Band’ Review: A Different Kind of Music
20. August 2026 (11:02)
An orchestra director returns to France and bonds with his working-class brother in this feel-good movie. (New York Times)

‘The Magic Faraway Tree’ Review: A Charming Escape
20. August 2026 (11:02)
The director Ben Gregor wastes no time getting us where we want to be: reveling in the fairies and their vibrant world. (New York Times)

‘Insidious: Out of the Further’ Review: Bringing Back the Dead
20. August 2026 (11:02)
The sixth installment of the horror franchise tries to revamp it, but its reputation has declined with each new attempt at jump scares. (New York Times)

‘Franz’ Review: A Delirious Kafka Biopic
20. August 2026 (11:02)
The work by Agnieszka Holland, starring Idan Weiss, explores the writer’s themes of alienation in a fragmented way. (New York Times)

‘How to Divorce During the War’ Review: Trouble on the Home Front
20. August 2026 (11:02)
In this deadpan Lithuanian comedy set in 2022, a couple finds their values are tested amid the backdrop of Russia’s invasion of Ukraine. (New York Times)

‘Freefall: A Reckoning for Boeing’ Review: Flight Risks
20. August 2026 (11:02)
In a follow-up to the 2022 documentary “Downfall,” the documentarian Rory Kennedy provides updates, few reassuring, on the aircraft manufacturer. (New York Times)

Alabama Shakes Return With New Album ‘I Must Be Dreaming’
20. August 2026 (11:02)
(New York Times)

Show of Houses by Dutch Modernist Architect Shines a Light on Gem in U.S.
20. August 2026 (11:02)
A riveting exhibition of photographs of homes by Gerrit Rietveld unearths a mastery, beyond furniture design, of “a new way of living.” (New York Times)

How to Make Sense of 4,000 Edinburgh Shows: Just Soak It All Up
20. August 2026 (11:01)
(New York Times)

‘It Ends’ Review: On the Road to Nowhere
20. August 2026 (11:01)
A taut, efficient thriller about four recent graduates on a road trip delivers existential dread. (New York Times)