Novice - Kultura (angleščina)

The Show That Makes New Yorkers the Stars of Their Own City
03. September 2026 (17:36)
 (New York Times)
‘Brailled It’ Review: A Matter of Perspective
03. September 2026 (14:20)
This experimental documentary follows three students as they compete in an annual Braille tournament in Los Angeles. (New York Times)
“Electra/Persona”: Cate Blanchett and Nina Hoss Fuse Bergman and Greek Tragedy Into One
03. September 2026 (13:24)
In “Electra/Persona” at the National Theater in London, the actresses turn a spotlight on performance and the slipperiness of identity. (New York Times)
‘Cocoon — One Summer of Girlhood’ Review: Patriotic Sacrifices
03. September 2026 (11:02)
The animated film is inspired by the real-life events of the Himeyuri Corps, who were mobilized, and then abandoned, in Okinawa, Japan, during World War II. (New York Times)
‘Chronovisor’ Review: A Late-Night Occult Mystery
03. September 2026 (11:02)
This enchanting debut feature, about an academic who becomes fixated on an invention by an Italian priest, builds to an eerie climax. (New York Times)
‘The Sun Never Sets’ Review: Could She Do Better?
03. September 2026 (11:02)
Dakota Fanning plays a woman in Alaska who must choose between her older boyfriend and her ex. (New York Times)
‘Onslaught’ Review: Too Much and Not Enough
03. September 2026 (11:02)
A gory tribute to B-movies from the 1980s tries and fails to say something about forever wars. (New York Times)
‘Mayday’ Review: Frenemies, a Cold War Story
03. September 2026 (11:02)
Ryan Reynolds and Kenneth Branagh keep this “Top Gun”-inspired action comedy aloft. (New York Times)
‘Give It a Shot’ Review: Birth Control for Men
03. September 2026 (11:02)
There’s a new birth control method — and this documentary asks men to take the title of the film seriously. (New York Times)
For Los Javis, Their Breakthrough ‘La Bola Negra’ Was Almost the End
03. September 2026 (11:00)
Javier Calvo and Javier Ambrossi, a.k.a. Los Javis, are household names in Spain, in part for their relationship. But everything changed after their Cannes triumph “La Bola Negra.” (New York Times)