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‘Rabbit Trap’ Review: Into the Woods, Listening Carefully
11. September 2025 (13:00)
This horror feature envelops us with its technical atmospherics, but don’t dig too far beneath that surface. (New York Times)

In ‘Alien: Earth,’ Big Tech Is the Monster and Kids Are the Prey
11. September 2025 (11:02)
(New York Times)

An Artist’s Do-Over in Double Time
11. September 2025 (11:02)
Stephen Prina borrows beats from John Bonham and Keith Moon for a series of performances coming to MoMA. His work is both loving homage and striking original. (New York Times)

5 Classical Music Albums You Can Listen to Right Now
11. September 2025 (11:02)
A novel approach to Mozart’s Requiem, orchestral works by Tania León and music conducted by Joe Hisaishi are among the highlights. (New York Times)

‘The Man in My Basement’ Review: A Prison of His Own Making
11. September 2025 (11:02)
Corey Hawkins and Willem Dafoe star in an overstuffed drama about a man haunted by the weight of history. (New York Times)

‘The Long Walk’ Review: Their Feet Are Killing Them
11. September 2025 (11:02)
For a movie about motion, this Stephen King adaptation feels oddly static. (New York Times)

‘The History of Sound’ Review: Bohemian Tragedy
11. September 2025 (11:02)
Paul Mescal and Josh O’Connor play lovers who embark on a folk song-recording mission in this demure New England drama. (New York Times)

‘Dreams’ Review: Fact or Autofiction?
11. September 2025 (11:01)
The film is the final installment in Dag Johan Haugerud’s trilogy about the sexual and romantic mores of Oslo’s inhabitants. (New York Times)

‘Happyend’ Review: Adolescent Tremors
11. September 2025 (11:01)
Friends in high school navigate senior year in a futuristic Japan where a cataclysmic earthquake looms. (New York Times)

‘Downton Abbey: The Grand Finale’ Review: One Last Hurrah
11. September 2025 (11:01)
There’s truth in advertising as this well-loved saga of British entitlement rolls to a stop, on time and on point. (New York Times)