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Coco Fusco Gets Her First U.S. Survey, Long After Shaking the Art World
16. October 2025 (11:01)
She broke out in 1992, with a work that drew a lot of heat — and brought her fame. Now, El Museo del Barrio is exploring the Cuban American artist’s life and legacy outside the cage. (New York Times)

A Museum in San Juan Celebrates Santos, Beloved Figures of Saints
16. October 2025 (11:01)
In San Juan, the Museo de los Santos y Arte Nacional is helping to revive interest in santos, small wooden statues of saints that artists have made for centuries. (New York Times)

U.S. Museums Band Together to Fight Funding Cuts and Censorship Threats
16. October 2025 (11:00)
About one-third of U.S. museums have lost government funding this year alone. Now, they look ahead — and find ways to move forward, despite the obstacles. (New York Times)

Dyani White Hawk Explores Links Between Indigenous Motifs and Abstract Expressionism
16. October 2025 (11:00)
(New York Times)

A St. Louis Museum Resurrects an Erased Neighborhood
16. October 2025 (11:00)
The Missouri History Museum shines a light on Mill Creek Valley, once a bastion of Black culture and community. (New York Times)

U.S. Enters 15th Day of Late-Night Jokes About Government Shutdown
16. October 2025 (08:03)
Jimmy Kimmel told his viewers that in 2018, “Trump shut the government down until they brought back the McRib or something.” (New York Times)

Review: Aubrey Plaza Shines in Ethan Coen’s Retrograde ‘Let’s Love!’
16. October 2025 (03:00)
(New York Times)

D’Angelo’s Pleasure Principle
15. October 2025 (20:58)
(New York Times)

‘It Was Just an Accident’ Review: A Liberation Story Straight From Iran
15. October 2025 (20:54)
In his latest movie, the formerly banned filmmaker Jafar Panahi tells a circuitous, moving and unexpectedly funny story of resistance. (New York Times)

‘Greaser’s Palace’ Contains a Million Laughs … or None
15. October 2025 (19:42)
Rarely shown since its release, Robert Downey Sr.’s 1972 film screens for a week in new digital and 35-millimeter restorations at Anthology Film Archives. (New York Times)