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‘Sinners,’ the Blues and Fighting for Artistic Control
28. April 2025 (17:25)
Unpacking the Ryan Coogler movie starring Michael B. Jordan, and its relationship to music, genre and gatekeeping. (New York Times)

Painting From Memory, Salman Toor Conjures Passion and Freedom
28. April 2025 (17:00)
As Salman Toor’s work has become more politically conflicted and emotionally raw, he finds himself wondering, “What am I doing here in America?” (New York Times)

In ‘Krapp’s Last Tape,’ Gary Oldman Hits Rewind
28. April 2025 (15:36)
The star actor returns to the theater where he started almost a half-century ago, with Samuel Beckett’s bleak one-man play. (New York Times)

New York City’s Creative Churn: The View From the Dance Floor
28. April 2025 (11:01)
“Urban Stomp” at the Museum of the City of New York chronicles the metropolis’s social dance. It also invites you to join the party. (New York Times)

Broadway’s Debacles Live On at Joe Allen’s ‘Flop Wall’
28. April 2025 (11:01)
The posters in the theater-district restaurant document the shows that went wrong. (New York Times)

Detroit Opera Steps Into Trump’s Cross Hairs With ‘Central Park Five’
28. April 2025 (11:01)
(New York Times)

My Life With Uncle Vanya, the Self-Pitying Sad Sack We Can’t Quit
28. April 2025 (11:00)
What is it about Chekhov’s melancholy inaction hero that makes him, and the play he stars in, so meaningful at all ages? (New York Times)

‘The Four Seasons,’ Plus 7 Things to Watch on TV this Week
28. April 2025 (07:00)
(New York Times)

‘The Last of Us’ Season 2, Episode 3 Recap: Rate Your Pain
28. April 2025 (04:00)
(New York Times)

‘Real Women Have Curves’ Review: This American (Immigrant) Life
28. April 2025 (03:30)
(New York Times)