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5 Classical Music Albums You Can Listen to Right Now
13. August 2026 (15:22)
Wild Up’s latest volume of music by Julius Eastman, Mitsuko Uchida’s Beethoven and works by Joe Hisaishi are among our selections. (New York Times)

‘Dead Souls’ Review: A Mean Satire About American Exploitation
13. August 2026 (11:03)
The “Repo Man” director Alex Cox returns with an unabashedly weird western, where he plays a mysterious stranger in an Arizona border town, circa 1890. (New York Times)

Rory Scovel’s New Netflix Special Reviewed: Winging It Never Sounded So Funny
13. August 2026 (11:03)
In “Show Must Go On,” the appearance of unpredictability combined with the possibility of catastrophe is riveting. (New York Times)

‘Union County’ Review: High Stakes, Understated Portrayals
13. August 2026 (11:02)
Will Poulter and Noah Centineo play troubled siblings in this simple, downbeat story set amid the opioid epidemic in rural Ohio. (New York Times)

‘Nimrods’ Review: American Idiots
13. August 2026 (11:02)
A band of misfit teens aspires to make their musical dreams come true in this Green Day-produced rock comedy. (New York Times)

‘The Rivals of Amziah King’ Review: The Banjos and the Bees
13. August 2026 (11:02)
(New York Times)

‘The Brink of War’ Review: When the U.S. and U.S.S.R. Came Together
13. August 2026 (11:02)
Written and directed by Michael Russell Gunn and produced by Angel Studios, the film chronicles the frustrating 1986 summit between Reagan and Gorbachev. (New York Times)

‘American Doctor’ Review: Going to Gaza to Help, in Any Way They Can
13. August 2026 (11:02)
This documentary by Poh Si Teng focuses on a planned medical trip to Khan Younis, in the southern Gaza Strip, by physicians from the United States. (New York Times)

L’Rain Asks if ‘Experimental’ Music Can Be Far-Reaching
13. August 2026 (11:02)
Her latest LP, “Fata Morgana,” explores whether limits to her genre-spanning work are real or perceived. (New York Times)

‘Fast’ Review: She’s Got Good Traction
13. August 2026 (11:01)
Rob Tregenza’s latest film follows a young woman in Virginia who wants to be a professional racecar driver. (New York Times)