Novice - Kultura (angleščina)

‘Snow White’ Review: A Princess’s Progress
20. March 2025 (10:03)
The new live-action version of Disney’s 1937 animated fairy tale has drawn (maddening) criticism for its casting and an updated story. But liberation only goes so far. (New York Times)
‘Magazine Dreams’ Review: Pain Without Gain
20. March 2025 (10:03)
Shown at Sundance two years ago, the film was shelved when its star, Jonathan Majors, was arrested and charged with assault and harassment of his girlfriend at the time. (New York Times)
‘Ash’ Review: Deep-Space Horrors
20. March 2025 (10:03)
In this sleek film by Flying Lotus, Eiza González plays a marooned explorer haunted by the killing of her crew mates. (New York Times)
‘O’Dessa’ Review: One Song to Rule Them All
20. March 2025 (10:03)
Sadie Sink (“Stranger Things”) rules this postapocalyptic musical with a guitar and an attitude. (New York Times)
‘Peep Show’ Still Proves That ‘Self-Loathing Is Pretty Universal’
20. March 2025 (10:03)
The creators, Jesse Armstrong and Sam Bain, and others look back on the highly influential British comedy that remains a cult item for American audiences. (New York Times)
Jensen McRae and 10 More Artists to Watch
20. March 2025 (10:03)
Meet the buzzy folk-pop songwriter, plus a dancey noise band, a dexterous Dominican M.C., a new generation of SoundCloud rappers and more. (New York Times)
Brandon Flynn and Jordan Tannahill’s Cinematic East Village Apartment
20. March 2025 (10:02)
In Brandon Flynn and the writer Jordan Tannahill’s 750-square-foot East Village apartment, a bold palette is filtered through a minimalist lens. (New York Times)
The 17th-Century Palazzo That Made an Art Dealer Fall Back in Love With Venice
20. March 2025 (10:01)
On the eve of leaving the city for good, an English art dealer found himself captivated by a 17th-century apartment. (New York Times)
How Carl and Karin Larsson’s Homes Came to Define Scandinavian Style
20. March 2025 (10:01)
The houses of two of Sweden’s most influential artists and designers, Carl and Karin Larsson, came to shape the country’s national identity — and now represent an aesthetic ideal. (New York Times)